Phil Collins: Not Dead Yet

Last night was concert night in Columbus, seeing Phil Collins with my friends Jim and Adam at Nationwide Arena.ย ๐Ÿ˜Š I was already nervous the day before, thinking of the handful of things that could make my day difficult, and despite doing my best to screw it up from the start – waking up at 4am and not being able to fall back to sleep – everything ended up alright and the show was great.

For anyone that’s a fan, it’s common knowledge that Phil is pretty gimped up from a failed back surgery and a “fucked foot” as he put it, so I really wasn’t sure what to expect.ย ๐Ÿ˜ณ But despite remaining seated for almost all of the performance, he seemed to get along reasonably well with a cane, so it didn’t feel as… um… I guess I was just worried that it would feel a little “Wheel the old man out and make him sing.” but that wasn’t the case at all.ย ๐ŸŽค๐Ÿ‘ดย It was a relatively long show too, playing his stuff and some Genesis songs, and he seemed to be enjoying it all. (And another “bucket list” concert checked off for me.)

Since he’s unable to play the drums, his son Nic filled in for him.ย ๐Ÿฅ๐Ÿ˜Ž The kid is pretty amazing… he’s 17 now, he was 16 when the tour started in the UK, which means he was probably learning and perfecting all of his dad’s songs by the time he was 14 years old… knowing that he’d eventually be going on a huge tour like this.ย ๐Ÿ˜ฏย (Oh, and he plays piano too ๐Ÿ™„) It was all the way back in May of 1992 that I saw Genesisย in The Shoe at OSUย (26 years ago… holy shitballs)ย but I never thought that I’d get to see him perform his own songs solo, since he swore quite a while ago that he’d never tour again.

Jim’s an awesome friend, surprising me and Adam both by getting us all tickets.ย ๐Ÿ˜ƒย (Five years ago this month we were in Kansas thanks to him as well) And like I told him, I have enough “concerns” about myself that I wouldn’t have even thought about buying a ticket for myself if he hadn’t. The neck and shoulder pain, the thyroid stuff, the random back stuff, the anxiety that comes in times and ways of its own choosing… I don’t think I would have trusted myself to be able to go – but when a friend makes not going not an option, you just put your head down and keep moving forward.

Oh, there were moments that I still wasn’t sure… even up until the point that I was standing in line, waiting to get in…ย ๐Ÿ˜ณ๐Ÿ˜ฌ๐Ÿ‘ซ๐Ÿ‘ฌ๐Ÿ‘ซ๐Ÿ‘ญ๐Ÿ‘ซ๐Ÿ‘ซ๐Ÿ‘ฌ๐Ÿ‘ซ๐Ÿ‘ญย … but I’m absolutely glad that I went.

I’ve been a mess since getting home last night around midnight though.ย ๐Ÿ˜• The “post-concert buzz” ended up keeping me awake until about 5am, and man did I hurt.ย ๐Ÿ˜ฃ๐Ÿ˜ข It’s mostly better now, but between the cold, the sitting, the standing, the singing, the recording of video, the crowds, the traffic… as usual, my body and brain eventually weren’t having any of that nonsense, and they let me know as soon as the show ended.ย ๐Ÿ˜Ÿ I think Jim and Adam could see it in me once the lights came up, so we all sat for a bit and let the crowd clear. After we left the arena they walked along at my pace until we parted ways at the parking garage. Luckily Jim gets me though, so he knows that all of that “beat-up old man” stuff doesn’t mean that I wouldn’t do it all over again.ย ๐Ÿ™‚

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Roberto’s Amigatized Tunes

That’s what I called my music back then… so that way when they were sold in “public domain” disk collections, they could be called “RAT” disks. I’m not sure how much they ended up spreading, but I know they ended up in at least three catalogs back then – when you still had to get things like this by ordering and receiving physical floppy disks in the mail. ๐Ÿ˜

The videos that I uploaded to YouTube yesterday show my original tracker songs being played by Modizer, an app for the iPhone. But if you view the videos full screen, you’ll still be able to see how the whole thing works. You’ll see which track is playing the drums, which one does the vocal, etc… and that’s what got me interested in creating music this way in the first place. ๐Ÿค“ When I can see how something works, I can almost always then use it for my own means.

Okay, so let’s pick my favorites from the songs I’ve done…

  • Keep Feelin’ Fascination – I’m probably biased towards this song because it was one of my favorite songs from the time back then. That and it’s fairly simple, so it didn’t require much extra work to get it to sound similar to the original song.
  • Pyro! – This was a song that I created for the guy who ran the Pyro! BBS in Canal Winchester. It uses samples from other songs, to go with the pyro theme, plus it was basically just a “jam” song where I sat and came up with a few different beats, a few stolen bits of songs that I recreated… I dunno… I guess I like that it allowed me four or five musical varieties in a single songs. No rules.
  • Howard the Duck – I’m one of the few dozen people who actually liked this movie back then, and still like it today. You might have read here in the blog a few entries ago about how I gave props to Lea Thompson (on Twitter) for her musical performance in that movie and she actually replied and thanked me.
  • Obsession – This is another track that I did because is was rather simple and easy to emulate, plus it was one of my mom’s favorite bands of the moment back then – Army of Lovers. A very visual band, but the music was still good as well.
  • Mu – This is another “jam” song, where I didn’t have an idea when I started, but just sat down and started banging things out and ripping off bits of other songs to throw into this amalgamation. Experimenting with songs like this was as much about learning the software and methods as it was about creating a song.
  • Man on The Corner – Since Phil Collins and Genesis were two of my favorite artists back then, of course I had to make some attempts at covering their music. I think I actually did four of their songs in total… and I think this is my favorite mostly because of the odd beats and percussion sounds. (See also: I Don’t Care Anymore)
  • Myself – This was a track that I did after I bought my own sampling device for the Amiga 500. I wish I could remember the name of it… but imagine, back then, being able to sample my own voice and then use it to create a song. It was almost unheard of… heh… but yeah, every sample you hear in this one was created with my mouf.
  • The Best is Yet to Come – Samantha Fox was another artist I loved back then (and still do) so I actually did covers of a few of her songs. This one was simple, but it had some harmonies and I hadn’t done any slow songs, so I gave it a shot. (See also: True Devotion)

You can click here if you wanna see the entire playlist of 21 songs that I uploaded. I probably have about ten more that I didn’t upload, as they were basically my earliest practice songs or almost exclusively looped samples. But yeah, working on these songs back then, it actually helped my ear become more trained to isolate individual instruments in every song that I hear to this day. To build a song you lay down the drums, then sit and listen to just the bass in the original, then just the melody, etc. You literally dissect the original and reassemble it via the program, unintentionally learning how to identify and recreate chords, “slide” bass notes up and down, etc. In one way it could seem like a pointless exercise, but I’m glad that I did it.

I’ve got a Windows 10 tracker program, which I think can have up to 64 tracks to use, and there have been times when I’ve thought about trying to build a few more songs… but man is it hard to jump back in to something that you haven’t done for decades, and having to learn a different program to do it on top of that. (Despite the basics still being quite similar to how it was done back in the day.) Never say never, I guess.